![]() ![]() But, if I'm working in Final Cut and figure out how to pack everything up for Resolve, learn how to grade in that (which I really don't have the time for) - but then what happens if there's an adjustment I want to make later on? I have heard and seen Resolve has a system of routing nodes which looks great and Resolve has more advanced grading controls and features which all look great. ![]() Like, I know people will say to adjust the camera in the multicam level, but constantly going back and forth from timeline to mutlicam for every little adjustment just isn't workable when projects get complex. ![]() And you've got a bunch of different cameras and you trying to keep them all in line without having to adjust each individually in a workable way. However, when it gets to multicam and different locations etc. I do single camera work myself - all good. Photographers pressing the record button. Like, a lot of these videography YouTubers and for a lot of folk - it's just one camera, nice and clean and simple, some guy drinking coffee on a beach. However - colour grading, specifically more complex projects. I know what everything on it does now, I look at the scopes and the comparison viewer and I think it's great in general. I've only ever used Final Cut going back about a decade. u/shickey maintains a videography-themed weekly challenge subreddit, so if you're looking for something to shoot head on over to /r/DoCreativeĬamera, NLE, year started, general location Requests for feedback or comments must be posted in the monthly ‘I Made This/Feedback’ threadĪ full copy of the rules can be read here.Use of affiliate links must be disclosed in post.Links posted must relate directly to videography.If you're looking for professional-only discussion, give /r/videoprofessionals a shot! ![]() r/videography is a subreddit intended for all skill levels, from beginners all the way through to professionals to come together to discuss the trade. For videographers interested in weddings, events, live performances, music videos, TV, corporate, live streaming, sports, real estate, YouTube, home videos and more, welcome to /r/videography. Sure, you can get similar LUTs in Premiere and Resolve - however, I believe the LUTs in FCPX feel more pristine and polished, and they ultimately yield a better final image.Destined for the big screen? Try /r/filmmakers. 709 color space, and FCPX has a number of high-quality camera conversion LUTs built right in.Īs someone who almost always films in Canon LOG 2, having a quick conversion LUT is vital. Shooting in any LOG format begs for a LUT to quickly grade the footage back to a palatable REC. Take a closer look at a few of them following this general “how to” tutorial that covers the fast and easy basics of working with color in FCPX. Nonetheless, with the right tools, eye-catching color is well within the reach of every videographer.įinal Cut Pro X features a pretty wide selection of built-in tools that can help video editors nail their desired aesthetic. Let’s look at how these tools can help you elevate your color process.Ĭolor grading skills take time to refine and develop, and legitimate expertise requires practice and experience. FCPX’s array of built-in tools allows you to get the best color possible out of your videos. ![]()
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